The movies and celebs coming to C-U in late April have emerged from behind Roger Ebert's paywall, into the glorious light of day.
Jamie says so-long to another year of Ebertfest and reflects on one last good film.
Beth explains how death can be beautiful in her review for Yojiro Takita's Departures.
Pat reports on the festival's longest day yet, plus his "moment" with director Charlie Kaufman.
Beth is "uplifted" against her will at Ebertfest's showing of Munyurangabo.
Ebertfest panels are worth it if you are willing to make the trek to campustown. Pat Brown reports... kind of.
Dan decides to risk getting out of bed to see a bunch of movies about aftermaths.
Jamie was there for the first night of cinephilia, and gives this report on Pink Floyd The Wall and You, the Living.
Anthony got a chance to speak with Alloy Orchestra, who will be performing their score to Man with a Movie Camera live at Ebertfest on Friday.
No youth. No mushrooms. No problem. Pink Floyd The Wall kicks off tonight's Ebertfest, and it should be something to remember.
Kristiana shares her thoughts on how to make your first Ebertfest experience memorable.
The Arts Section strives to celebrate our community's rich and vibrant artistic scene, from theatre to local authors, film, performance art, and everything in between.